Hazel Ouano Alpuerto is a Filipino-Canadian living in St.John's. She is a psychiatric registered nurse by profession, and works with Eastern Health with Mental Health and Addictions. Hazel is also is the Philippines Honorary Consul General, whose role it is to oversee fellow nationals requiring assistance. She is also a recipient of the Queen’s Golden Jubilee Award. We talk about Hazel’s move to Newfoundland, her work as the Philippines Honorary Consul General, and Philippine culture and traditions including pig roasts, Christmas traditions, and the vibrant local Philippine community.
The video for this week's the Memory Store was filmed in Elliston, NL outside one of the many root cellars found in the community. In this short clip Don Johnson with Tourism Elliston describes the construction of root cellars including how the large porch stones were put in place by a local strongman by the name of Jimmy Chant.
Watch the video below or click here to watch the video on YouTube.
Click here for more information about the root cellar's history and architecture.
If you missed our initial post explaining the concept of the Memory Store clip here to go back to our first blog post with the introduction video or check out our YouTube channel at ICH NL.
Stay tuned for more short stories about historic places in the province, in the form of short oral history interviews conducted with the people who care about those places and if you have a personal memory about a historic place in Newfoundland and Labrador, and want to add your voice to the Memory Store project, let us know at ich@heritagefoundation.ca
Followers of the ICH Blog may remember that I have been interested in lych gates, a very specific type of gate that was found at the entrance of Anglican churchyards and cemeteries. You can read more about the history of lych gates in the Occasional Paper #004.
In it, I talk about one of the province's vanished lych gates, the one which once stood in the Forest Road Cemetery. I knew it had existed, and it is clearly shown on aerial photos and insurance maps, but I had never seen the building before.
Thanks to some detective work by Professor Frederick R. Smith, and the kindness of Mr. Arthur King, we now have this photographic gem - a photo of the gate before its demolition, likely taken sometime circa 1950-1952.
The lych gate is very similar to English examples, and has some similarities to the rebuilt lych gate at Bonavista. It features a sharply gabled roof, with slight bellcurved eaves, Maltese cross motifs, and at least two painted inscriptions, though the photo is just out of focus enough to make it difficult to identify the scripture being quoted (the word "resurrection" seems to be the second word). The woman in the photo is a Mrs. Butt, of the nearby Collier's Lane.
Mr King writes:
Here are some old Forest Road Cemetery photos I scanned from originals supplied by Mrs. Barbara Fry (Heale), a daughter of Victor Heale, caretaker circa 1948-59 . The family lived in the caretaker house on the cemetery. Photos of the entrance gate and old chapel are included. A daughter Elizabeth Heale, shown in the photo, was born in 1942---the photo with her was probably taken between 1950-52. The age of the old chapel photo is uncertain, but probably much before that time---it probably was taken by a commercial photographer such as Holloway as there is an inscription which was his style.
The Church of England Mortuary Chapel photo was said to have come from "The Archives" -- we are uncertain which one. If you have any information on these photos, if you have a theory on the most likely scripture being used on the lych gate, or have any other old photos of the Forest Road Cemetery, please comment below, or contact me at ich@heritagefoundation.ca.
Crystal Braye is a folklorist with the Wooden Boat Museum of Newfoundland and Labrador. She holds a bachelor of arts in cultural anthropology from Wilfrid Laurier University and a masters in public folklore from MUN. Since 2012, she has travelled around the province learning from boat builders and fishermen to enhance the museum's collections and exhibits. Audio and video recordings, photographs, and boat design and construction details are archived and exhibited online and at various locations across the province - including the Wooden Boat Museum headquarters in Winterton. We talk about the history and development of the museum, its programs to document and safeguard traditional boatbuilding skills, work on Gander River boats, bully boats, taking the lines of boats, and the organization’s annual wooden boat conference.
Today was the annual designation ceremony for the Provincial Historic Commemorations Program. This year, following a nomination made by the Intangible Cultural Heritage Office of the Heritage Foundation of Newfoundland and Labrador, Traditional Games of Newfoundland and Labrador was designated as a Cultural Tradition and Practice!
You can read a bit more about the designation here.
The photo above is courtesy of The Rooms Provincial Archives Corporation of Newfoundland and Labrador (photo A 7-12). It shows children playing pitch and toss, Grey River. There is a description of the game in the Dictionary of Newfoundland English: "You stand away so far, an' you pitch your button. The handiest to the peg, after so many pitches [would win]. C 70-15 The object of the game was to pitch a button from the hole [where you stood] so that the button touched the 'nag' (or stick). C 71-22 Make a mot in the ground with your heel. Stand at a distance from the hole and pitch the buttons."
Thanks to Sharon King-Campbell for her work preparing the nomination files, and to Joy Barfoot and Laurie Roche Lawrence at the The Rooms, Judy Cameron with The Town of Carbonear's World Cup of Tiddly, Peter Laracy at Cupids Legacy Centre, and Jordan Brown, President of The Labrador Heritage Society Height of Land Branch, for their letters of support for this nomination!
The video for this week's the Memory Store was filmed in the stairwell of the Anna Templeton Centre. Executive director Beverly Barbour tells two of her favourite stories about the Anna Templeton Centre building. The first is a story about the building being a possible safe haven for the crown jewels and the second about the building being used by a forensic team.
Watch the video below or click here to watch the video on YouTube.
Click here for more information about the building's history and architectural style.
If you missed our initial post explaining the concept of the Memory Store clip here to go back to our first blog post with the introduction video or check out our YouTube channel at ICH NL.
Stay tuned for more short stories about historic places in the province, in the form of short oral history interviews conducted with the people who care about those places and if you have a personal memory about a historic place in Newfoundland and Labrador, and want to add your voice to the Memory Store project, let us know at ich@heritagefoundation.ca
Today was our second-last day on the intangible cultural heritage course at UVic. We started off with a visit to the First Peoples House. Pamela Clermont and her co-workers showed us around the building, created as a social, cultural and academic centre for Indigenous students on campus. It is a gorgeous space, which you can read more about here, packed full of local, amazing, indigenous art.
Outside is an ongoing totem pole carving project. The artist, Hjalmer Wenstob, has posted the artist's statement on site:
"I see the totem as a means of bringing together and strengthening connections between cultures, both Indigenous and Non-Indigenous. It creates a space to come together where we are all equal, to create a future where we can walk side by side on the same path. To bring together academic and traditional Indigenous teaching for a common goal of unity, understanding and respect. - Hjalmer Wenstob"
After our visit to the First Peoples House, we had a conversation with Janna Wilson, Program Coordinator with the Cultural Management Programs at UVic, who has been working on their Indigenous languages retention programs. Then we went off to the Royal BC Museum for a behind-the scenes look at the Our Living Languages exhibit, with Michael Barnes, Head of Exhibitions, and Dr Martha Black. Curator of Ethnology.
Thanks to all who gave of their time today, and for freely sharing all their expertise and experience!
Today's class was all about revitalizing traditions, using the Mummers Festival as a case study. We started the day with a talk on mummering (which some of the students had never heard of) and then we had a visit from Doretta Hollett of Burin, who came and shared her memories of Christmastime in Burin. Doretta even brought in a bottle of Purity Syrup, so everyone got to have a taste.
In the afternoon, I introduced people to the Newfoundland hobby horse, like the one above, one of the Mummers Troupe's horses, made in the early 1970s by Chris Brookes and company. And then it was time to put their new knowledge to use. Using the template from the Mummers Festival in St. John's, I walked everyone through the process of creating their own hobby horses. Here is a peek at how the workshop went, from start to finished ponies:
Gary Green is a past president of both the Crow's Nest Officers Club and the Crow's Nest Military Artifacts Association which jointly administer the Crow's Nest National Historic Site of Canada. He has written journal articles on the Crow's Nest and has contributed to books on the role of St. John's and the Royal Canadian Navy in the Battle of the Atlantic 1939-1945. Gary and his wife Ruth, Collections Manager for the Crow's Nest Military Artifacts Association, conduct research in both national and provincial archives and museums. We talk about the history of the Crow’s Nest, its collection of WWII-era gunshield art, the club’s U-boat periscope, the preservation challenges of maintaining the collection, and stories from the club’s colourful past.
Today was Day 3 of the intangible cultural heritage class I'm teaching at UVic, and we had a treat for students today. After a talk about public program options ICH-related events, we focussed in on one of the elements listed on UNESCO's intangible heritage list -- Falconry, a living human heritage -- a trans-national element which was nominated by United Arab Emirates, Austria, Belgium, Czech Republic, France, Hungary, Republic of Korea, Mongolia, Morocco, Qatar, Saudi Arabia, Spain, and the Syrian Arab Republic.
Falconers Kristine and Alan Marshall paid us a visit (with gyrfalcons Khaleesi and Solstice) and they gave us an overview of the 4000 year living heritage of falconry, and how the tradition of falconry is faring today.
After lunch, we had a talk about Newfoundland fairy traditions, and I shared the Irish story of the Fairy Frog (a version of which is included in this recording).
Then it was back to work (with some colouring thrown in) with a asset map making exercise designed to show how one location could have multiple levels of meaning or be home to various intangible cultural heritage elements.
Tomorrow: it's a downhome Newfoundland Christmas (in Victoria BC, in September).
Yesterday, my intangible cultural heritage class at UVic met Alice Trueman, a knitter from Salt Spring Island, who talked about Cowichan sweaters (you can read about that here). Alice mentioned in her interview a photo of John Diefenbaker wearing a Cowichan sweater. A quick internet search later, here he is, in his sweatered glory. The first is from 1967, the second from 1958.
The website "Ask Andy About Clothes" has some great photos of Cowichan sweaters, including one Steve McQueen sporting one featuring the "Greek Key" design Alice talked about, and a fabulous photo of Mrs. Johnny Bear, a Cowichan knitter, posing with her knitting needles.
Tuesday was day two of the course on Intangible Heritage I'm teaching at the University of Victoria. We started out this morning, bright and beautiful, at the Gates of Harmonious Interest, marking the entranceway to Victoria's Chinatown, the oldest Chinatown in Canada.
We had a busy morning, with the students starting off by doing quick sketch maps of the district, and then locating within the district examples of the five domains of intangible cultural heritage as defined by UNESCO: Oral Traditions and Expressions; Performing Arts; Social Practices, Rituals, and Festive Events; Knowledge and Practices Concerning Nature and the Universe; and Traditional Crafts.
We then met up with Chris Adams of DiscoverThePast.com, who gave us a great tour and talk about Victoria's Chinatown and the link between the tangible, built heritage of the district, and the intangible cultural heritage that permeates it.
It was my first time meeting Chris, but I've met his father and company founder John Adams before (we even were on a panel together about ghost tours, back in 2009). Chris was a fabulous guide and raconteur, and introduced us to some fabulous places, a highlight being the Tam Kung Temple on the top floor of the Yen Wo Society building.
It is an incredible gem of a space, and one I'd never seen before.
After that, we had a quick lesson in the game of Fan Tan, and a lecture on opium dens, and then we went to the famous Don Mee restaurant for Dim Sum, including my requisite feed of chicken feet and egg tarts.
Then we had another treat, a visit from the very charming Alice Trueman, a knitter from Salt Spring Island. Alice grew up on Vancouver Island, and doesn't remember a time when she didn't knit. I conducted an oral history interview with Alice while the class listened and watched.
Alice was another gem of the day; she was a font of knowledge about knitting. We talked about the tradition, her involvement, and how the tradition of knitting has shifted over the years, and the knitting retreats she runs on Salt Spring Island.
Alice spoke knowledgeably about many aspects of knitting, but particularly interesting was the discussion we had about Cowichan sweaters, a very specific type of sweater made by First Nations knitters in one region of Vancouver Island.
You can download an mp3 of Alice describing Cowichan sweaters here, or in other formats here, or listen below.
I am in Victoria BC this week, teaching a course on Intangible Cultural Heritage for UVic's Continuing Studies program. Today was our first day, and we had a series of great discussions around ICH in communities.
Before students arrived, I gave them all a pre-course assignment. And, because I love food, I made them all think about food experiences and the link to culture. We all eat, but we sometimes don’t think about the deeper meanings of food behaviour, and how the symbols and practices of food consumption are embedded in our daily lives.
Students were asked to prepare a short report on a food event, tradition, or event that has meaning to them, their family, community, or region.
I started them off with a discussion about the Mediterranean Diet, which was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2013. We talked about the link between food, community, and traditional skills, about Newfoundland cuisine, and then I showed them one of my favourite short foodlore videos, "Green Jell-O and Fry Sauce: Food Folklore at the Fair," with folklorist Eric Eliason of Brigham Young University.
Then it was their turn, and we were treated to an amazing array of food experiences. We talked about Iranian Nowruz food traditions, BC sport salmon fishing, NWT cranberry hooch, Starbucks rituals, cider and cured meats, two battling presentations on traditional vs vegan Tourtière, fish heads, potlatches and bum guts, Vietnamese Thit Kho - braised pork with eggs, Norwegian lefse, and Chinese dumplings.
Yum, b'y.
Tomorrow we are off to explore Chinatown, hopefully with some Dim Sum along the way.
Dave Paddon is a writer and performer of recitations. He is originally from Northwest River, Labrador and is descended from two generations of pioneer doctors and nurses who lived and worked in Labrador. He currently lives in St.John’s and makes his living as a pilot for Air Canada. We discuss Dave’s childhood in Northwest River, his family’s history in Labrador as doctors and nurses, his parents’ involvement in World War II, and his involvement with recitations and the Stage to Stage performances. Dave recites The Twelve which is a recitation he wrote himself about a small snowmobile of twelve horsepower.
