Friday, January 19, 2018

Lassy Tarts #FoodwaysFriday

Lassy Tarts. Photo by Maureen Power.

This recipe was collected by Maureen Power from Margaret Decker who was born and raised in Joe Batt's Arm. Margaret uses molasses in her pie crust to make them darker and for added flavour. Her recipe is as follows:

4 cups of flour
2 ½ tsp. cloves
2 ½ tsp cinnamon
1 tsp of ginger
Mix together
Cream 1 cup of butter. ¼ cup of molasses .
Mix together. 2 tsp of baking soda and ¼ cup of tea .
Stir in dry ingredients. Roll out on flour board
Fill with jam and bake for 20 min. In moderate oven.


-Katie Harvey

Thursday, January 18, 2018

Folklife Meets Fandom - Traditionality and Cosplay with AbbyShot Clothiers


In this episode of the Living Heritage Podcast, folklorist Dale Jarvis sits down for a geek-out session with Grace Shears, the Risk Manager at AbbyShot Clothiers Limited in Mount Pearl. Grace holds the advanced level certificate in Health, Safety and Environmental Processes through the University of Fredericton, NB. She is a former Military Veteran and has also served as a volunteer with the Canadian Red Cross on the Disaster Management team. In 2014, Grace joined the AbbyShot team and has been dedicated to quality control, product development and supply chain management.

 AbbyShot is a privately held Canadian corporation founded in July 2002. Its garment designs are styled after clothing worn in movies, anime series, TV shows and computer games, including Doctor Who, Outlander, and Firefly. Grace is a contributor to the empowering energy and culture of AbbyShot. We talk about the work of AbbyShot, and how they are using traditional skills and knowledge to craft three of their most recent products related to the Outlander television series, plus a chat about Doctor Who, the world of conventions, Grace’s own Newfoundland family connection to the Isle of Skye, Scotland, and the AbbyShot blog.




Want to hear more from Grace and Dale? They are both part of the Cosplay, Coffee, and Contemplation event organized by our friends at Admiralty House Museum on Saturday, January 20th. The event is free, but preregistration is required, so click here!


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The Living Heritage Podcast is about people who are engaged in the heritage and culture sector, from museum professionals and archivists, to tradition bearers and craftspeople - all those who keep heritage alive at the community level. The show is a partnership between HFNL and CHMR Radio. Past episodes hosted on Libsyn, and you can subscribe via iTunes, or Stitcher. Theme music is Rythme Gitan by Latché Swing.

Wednesday, January 17, 2018

What's happening in heritage - January 2018



We are back in full swing for a new year safeguarding the built and intangible cultural heritage of NL. In this edition: we review the Adapting Heritage conference held in 2017; investigate hobby horse traditions; look at the ongoing restoration of the Harbour Grace railway station (above); explore a new mobile oral history phone app; dig into the history of the Crocker Root Cellar in Bradley's Cove; provide a brief history of samplers in NL; profile the restoration of the Petites church; and invite you to a special workshop on Czech gingerbread!

Download the newsletter in pdf format here

Tuesday, January 16, 2018

Traditional Czech Gingerbread Decorating Workshop

Jindra's Valentine's Day gingerbread. Photo courtesy Jindra Maskova.

Gingerbread plays a major role in Czech tradition and culture. It is a skill that is difficult to master, and so it is held in high regard. For Valentine's Day, beautifully-decorated gingerbread hearts are sold at markets all over the Czech Republic. In honour of Valentine’s Day, on Sunday, February 11 from 2:00-4:00 p.m., the Heritage Foundation will be hosting a gingerbread-making workshop at Easter Seals Kitchen (206 Mount Scio Rd).

At this workshop Jindra Maskova, owner of Gingerly by Jindra, will demonstrate how to make traditional Czech gingerbread while also discussing the history of gingerbread in the Czech Republic and its significance there. Participants will get hands-on experience decorating gingerbread cookies, and they will each go home with the cookies they've decorated.

The cost of the workshop is $35.00 per person. Space is limited. You can register by clicking here, or by emailing katherine@heritagefoundation.ca or calling 1-709-739-1892 ext. 6.

Damage from Woody Point Fire 1922 #FolklorePhoto


These photos show the damage that was caused by the devastating fire that took place in Woody Point in 1922. At the height of the area's population and commercial success, a fire destroyed roughly 58 buildings. The town never fully recovered to its former commerce level after this event. Images were collected from residents of Woody Point and donated to HFNL by Charlie Payne.



-Katie Harvey

Monday, January 15, 2018

#CollectiveMemories Monday - Boat Building in Joe Batt's Arm with Aiden Penton

Fishing stage in Joe Batt's Arm. 1997. Photo by Gerald Pocius.
Memorial University of Newfoundland. Folklore and Language Archive.
Fogo Island Collection 2017-225.
Photo courtesy of MUN's DAI. 
As part of the Collective Memories project the ICH office is showcasing community material which has been placed on Memorial University's Digital Archives Initiative. This interview with Aiden Penton of Joe Batt's Arm was recorded on May 16, 2009 by Dale Jarvis at the Marine Institute of Memorial University as part of a boatbuilding fieldwork documentation course. In the interview Aiden discusses his life as a boat builder, his family history, and boat building in Joe Batt's Arm.

The ICH office is helping communities place previously recorded materials online. If your community has material you would like to make publicly accessible reach out to the Heritage Foundation at 1-888-739-1892 ex.2 or ich@heritagefoundation.ca

Friday, January 12, 2018

The Neighbours: Exploring Stories and Songs with Meghan Forsyth



Dr. Meghan Forsyth is the Project Coordinator and Researcher at the Research Centre for the Study of Music, Media, and Place, and the Director of the Bruneau Centre for Excellence in Choral Music at MUN. She is an ethnomusicologist specializing in music and dance of the Acadian diaspora, and is co-author, with Ursula Kelly, of the forthcoming book The Music of Our Burnished Axes: Songs and Stories of the Woods Workers of Newfoundland and Labrador. In addition to her work at MMaP, Meghan teaches courses in ethnomusicology, musicology and popular music at MUN’s School of Music.



Recently, MMaP launched “The Neighbours: St. John’s” -- an app for mobile devices. In this episode, we chat about how this new app presents fascinating stories from cultural communities in and around St. John’s. Meghan describes how the app enables users to take a walking tour of downtown St. John’s and Middle Cove Beach to hear stories associated with individual locations, and then she gives us a preview of her new book on logging song traditions.

Download the mp3

Thursday, January 11, 2018

What is the "Topping Out" ceremony? #Work folklore for #FolkloreThursday


Members of Team Holloman and construction workers gather to witness the “Topping Out” of the last beam being placed on the new medical facility at Holloman Air Force Base, N.M. on Feb. 10, 2016.

The Folklore of Topping Out

If you time it just right, and happen to be looking far up off the ground, you might catch sight of ironworkers hoisting a tree, wreath, or flag up to the top storey of a framed-out building. This is what people in the construction industry call “topping out” - a ceremony held when the last beam is placed at the top of a building. It is a piece of modern, occupational folklore that may have deep and ancient roots.

In his book High Steel Jim Rasenberger describes the tradition in this way:
“Topping out is an ironworkers’ tradition marking the setting of the highest piece of steel in a building or bridge. The beam is decorated with an American flag and frequently with a small fir tree as well. Despite the fact that the ceremony had long ago been seized by publicists and financiers as a photo-op, topping out was something ironworks took seriously. To be the foreman whose gang raised the topping-out flag was an honour.”
James A. Newman, fabrication division vice president with AISC-member Art Iron, Inc., wrote an article in The Ironworker (December 1984) which describes the tradition thusly:
“No one seems to know exactly when or how it started, but the tradition of ‘Topping Out’ has become a cherished custom of Ironworkers whenever the skeleton of a bridge or building is completed. Topping Out is a signal that the uppermost steel member is going into place, that the structure has reached its height. As that final beam is hoisted, an evergreen tree or a flag or both are attached to it as it ascends. The nice thing about Topping Out is that no two ceremonies are exactly alike. For some, the evergreen symbolizes that the job went up without a loss of life, while for others it’s a good luck charm for the future occupants.”
Researcher John Robinson notes, “The topping out custom is most widely practiced in Germany and the Scandinavian countries. In Germany, where the custom is known as Richtfest, the ceremony consists of fastening a small fir-tree (or in some areas a wreath made from the branches of a fir-tree) to the top of the newly completed frame. Dignitaries are invited to make speeches, or recite poems for the occasion, and food and drink are served to the assembled workers and visitors."

On 18 October 2012, folklorist Nicole Penney conducted an oral history interview with retired ironworker Joe Lewis, of Conception Harbour, Newfoundland, who had worked high steel, building a number of well-known structures including the twin towers of the original World Trade Center in New York City. He remembers topping-out ceremonies from projects he had worked on.
Nicole Penney: Tell me about topping out? 
Joe Lewis: Topping out is when we're finished; like that's when everything is done and they'd throw us a big party for us - not a big party - buys us all pints of beer and sandwiches and we'll have a half a day just, you know, just doing nothing. Then we'll have a last beam and they'd put the American flag on it and we would write all our names on it, the whole job, then we'd bring that up and we'd set that, that's the last piece if steel that goes in that building, that's why it's called topping out. 
Nicole Penney: Okay and was it always a flag that was put on top of- 
Joe Lewis: That's all I know, I remember it was a big American flag. 
Penney: Okay, so would that flag usually stay there for a while then? 
Joe Lewis: It stays on that corner of that building wherever they put it, usually on a corner; it will stay there for a while and then we'll take it down and take it away.

Dick Conway is another Newfoundlander who worked high steel, who was interviewed by Penny and Dale Jarvis on 23 October 2012. He too remembers topping out:
Dick Conway: Topping out is the last piece of steel going up is the topping out and usually what you do with -- different places do different things, like here in Newfoundland you put up a tree. We worked on a German hanger down in Goose Bay, it was the first time I’d seen it, and the topping out, the last piece of steel went up, we were the last guys up, I had a crew up doing the decking on it, right, and before the decking went down, we had the topping out party and that’s what we did, we put up a tree, on the end of the hanger, and decorated it almost like a Christmas tree.

Dale Jarvis: So where do you think that comes from, that tradition?

Dick Conway: I don’t know. I guess again, coming back to the fishing probably, the flags. Because again you set the flag on steel, the flag is usually welded at the end of the steel, whichever flag of the country, United States or Newfoundland flag.
The origins of the ceremony are uncertain but may trace back to ancient Scandinavian religious rites of placing a tree atop a new building to appease the tree-dwelling spirits displaced in its construction. The tradition was clearly linked to the building trades in the English-speaking world by the 19th century, and in 1900, a correspondent named Alice Milne noted in the journal Folklore that “when the first chimney is finished he himself [the builder] will have to give the men a pint of ale apiece, after which they will hoist a flag on the roof-tree. If they do not get the ale, they will likely hoist a black flag, and perhaps even refuse to work.”

A Richfest ceremony in Atlanta.

I’ll leave the final words to Mr. Ed Cray, who wrote the following in the journal Western Folklore in 1963:
“The ceremony has a solid basis in history. In ancient times it was traditional to appease the gods when a building was finished, sometimes with human sacrifices, also to exorcise any evil spirits which might have taken residence in the framework during construction. Bridges presented special problems and goaded the fears and superstitions of the ancients. John Warner of Bethlehem Steel found that Xerxes, the Persian military leader, blamed recalcitrant river gods for the collapse of a pontoon bridge over the Hellespont. To punish them the water was given 300 lashes and a pair of manacles thrown into the strait. In more recent times it became traditional to attach an evergreen tree or a sheaf of corn, flowers or a handkerchief to the final beam. At present a flag is usually hoisted to the top of the structure. Iron workers deny they're superstitious but they say it brings good luck.”
I suspect modern building inspectors would much prefer workers hoisting a fir tree to the top of a new building, rather than have to deal with the paperwork that a human sacrifice would create.

Happy Folklore Thursday, and good luck on all your new projects for 2018!

- Dale Jarvis


References:

Cray, Ed. "Topping out" Buildings. Western Folklore, Vol. 22, No. 4 (Oct., 1963), p. 275.

Melnick, Scott L. Why a Christmas Tree? A look at the origins of “topping-out.” Modern Steel Construction: December 2000.
https://www.aisc.org/globalassets/modern-steel/archives/2000/12/2000v12_christmas.pdf

Milne, Alice M. 1900. "Customs in the London Building Trades." Folklore. (11): 457-458.

Penney, Nicole. “Memories of Working High Steel: Joe Lewis of Conception Harbour.” ICH Update No. 038: October 2012.
http://collections.mun.ca/cdm/compoundobject/collection/ICH_Update/id/378/rec/3

Rasenberger, Jim. High Steel: The Daring Men Who Built the World’s Greatest Skyline. New York: Harper Collins, 2004.

Robinson, John V. "Topping out" Traditions of the High-Steel Ironworkers. Western Folklore, Vol. 60, No. 4 (Autumn, 2001), pp. 243-262.

Topping Out. Wikipedia. https://en.wikipedia.org/wiki/Topping_out

The “Topping-Out” Ceremony.

Topping-out ceremony for Thales Germany HQ in Ditzingen

Tuesday, January 9, 2018

Tuesday's Folklore Photo - Horse and Cart, Marysvale (Turk's Gut)



This week's folklore photo is of a horse and cart, taken in Marysvale, Conception Bay (formerly Turk's Gut). The photo comes from Mrs. Bride Power, who has been running the Turk's Gut Heritage House for many years. The date is unknown.

Does this spark a memory for you? Send us a note! ich@heritagefoundation.ca