Showing posts with label call for papers. Show all posts
Showing posts with label call for papers. Show all posts

Wednesday, November 14, 2018

Folklore Studies Association of Canada Call for Papers - Newfoundland 2019



FSAC/ACEF Conference 2019 - Call for Papers
The Folklore Studies Association of Canada/Association canadienne d’ethnologie et de folklore is pleased to announce that its 2019 conference will be held May 31 – June 2, in the Department of Folklore at Memorial University in St. John’s, Newfoundland and Labrador.

This year, as the Department of Folklore marks its 50th anniversary together with the Memorial University of Newfoundland Folklore and Language Archive, we invite participants to present research around the theme of “home.” We invite proposals for papers on all aspects of the literal and symbolic construction of home and its manifestation in folklore and folklife. Possible topics include housework, family custom (or rites of passage), food, music, material culture, narrative, home-sickness, loss of home, living unhoused, experiences of homelessness, returning home, and so on. Proposals for special panels, discussion sessions and other subjects related to ethnology and folklore are welcome. Presentations will be 20 minutes with an additional 10 minutes for discussion.

Please send abstracts (in English or French) of 150 words to Dr. Holly Everett (hjeverett@mun.ca), chair of the conference organizing committee, by February 1, 2018.

Conference registration and membership in FSAC/ACEF: All presenters and speakers must register for the FSAC/ACEF conference, and must be members of FSAC/ACEF before their submissions can be accepted for inclusion in the conference program. Annual dues are $60 CAD for regular members, and $30 CAD for part-time faculty, students, independent scholars, and retired persons. Membership may be purchased online at:<https://www.acef-fsac.ulaval.ca/en/join > or by mail: Folklore Studies Association of Canada, c/o Dr. Ian Hayes, 213 av. Du Grand-Calumet, Gatineau, Qu├ębec, J9J 1L4.


Photo: Marysvale, NL, date unknown. The gentleman on the right is Mr. Michael Ryan, the girl in the middle is his grand-daughter Maxine; the man on the left is James “Jim” Ryan. Photo courtesy Bride Power, from Marysvale Memories: The Stories of Bride Power.  

Monday, October 26, 2015

Call for Papers - International Conference on the Uses of Intangible Cultural Heritage



Call for Papers
International Conference
The Uses of Intangible Cultural Heritage: Challenges and Perspectives

Quebec City, Canada
May 19th-22nd 2016

Hosted by the Folklore Studies Association of Canada, the Institute for Cultural Heritage of Laval University (IPAC) and the Centre for Culture, Art and Society (CELAT)

Deadline for submissions October 29th (midnight)


Interest in intangible cultural heritage (ICH) has been growing rapidly in Canada, in the United States, the United Kingdom, France, Germany, Belgium, Japan, China and in many other countries in the world over the past years, especially since the adoption of the Convention for the Safeguarding of Intangible Cultural Heritage in 2003 at UNESCO. Now signed by more than 160 countries, the Convention has given intangible cultural heritage recognition worldwide. By defining ICH as creative living traditions, UNESCO has also been able to redefine heritage as an open ongoing process shaped by people and changed through encounters, rather than an immutable entity anchored in tangible things. This shift has opened new and exciting perspectives for understanding the intertwined legacies of heritage, the complex intergenerational and intercultural transmission of living traditions, and the creation of different transcultural inheritances. It leaves room for the accommodation of the new and the transgressive alongside the traditional.

This conference aims to focus on the uses of ICH and to view it as a transformative and transgressive practice. The making of intangible heritage, or the “heritagization” of living traditions transforms them into a performance, a festival or a sporting competition, as these traditions are moved out of the community and into a heritage site or event, a museum or an archive. Even when intangible heritage stays within the community, traditions are always transformed in one way or another. Participants are invited to reflect upon how these processes affect cultural practices and the people involved. Generally, heritage is considered a transformative experience aimed at making the participants better people and the world a better place, sometimes even expressed as a sort of conversion, a ritual of transcendence, that reinforces the group and enhances its participation in contemporary cultural politics. But, more often than not, one person’s inheritance is the disinheritance of another. Indeed, the ethics of heritage often conceal more than they reveal. For example, the current aesthetization and heritigization of native ritual performances in museums has helped to valorize Amerindian, Inuit and African religious expressions as forms of art, long considered primitive, but, at the same time, it has done away with the colonial context and with history altogether. To avoid such shortcomings, many cultural institutions have devised a “ground up” or “bottom up” model of heritage management, which aims to recognize, preserve and promote the cultural heritage most highly valued by the communities themselves. This approach has also been encouraged by UNESCO as well as many of the state parties of the Convention. Although a new and noble approach, it does not always help determine what should be valorized and why, nor whom in the community should be permitted to decide what should be recognized. Local communities too have their hierarchies, their hidden agendas, and their own problems with gender, class and race. In other words, policies need to be explored alongside process and practice to fully understand the politics of intangible cultural heritage at all levels.

The emphasis on non-material knowledge and forms of communication in intangible cultural heritage can be related to a developing interest in the role of performance as a form of social memory, to the expansion of curatorial interest in ‘experiential’ displays and to the valorization of what has, more broadly, been termed the ‘experience economy’ in contemporary society. The recent interest in intangible cultural heritage, in other words, might usefully be situated in the context of what has been called ‘the cultural turn’. To shed new light on this broader topic, we encourage participants to focus on how the case of intangible cultural heritage throws two particular issues into stark relief : first, heated contemporary debates over the desirability of academics engaging with the administration of culture - over whether engaging with policy is an abdication of political possibility – and second, the boundaries and limits of cultural policy, or what it is possible to administer. Positioning themselves against a narrowly technocratic approach, the participants are invited to interrogate the cultural heritage of intangible cultural heritage itself. By doing so, we will be better equipped to consider the capacious, imaginative interactions between theory, policy, process and practice.

Although all proposals regarding this topic will be considered for inclusion in the conference program, participants are encouraged to submit paper proposals on the following themes:

- the effects of listing ICH by UNESCO, states and municipalities;
- the difficulties encountered by communities in safeguarding ICH;
- the uses of ICH for the sustainable development of local communities
- the transformative experiences of inventorying ICH;
- the mediation of ICH through the use of information technologies;
- the uses of ICH in museums and interpretation centers;
- ICH and sustainable cultural tourism
- the uses of ICH in the understanding and mediation of tangible cultural heritage.

Individual paper and/or session proposals should be sent by email to Laurier Turgeon (Laurier.Turgeon@hst.ulaval.ca) before October 29th(midnight) by providing the following information: name and surname, institutional affiliation (university, museum, ministry, municipal administration, etc.), acquired degrees (PhD, MA, year of degree, name of the university which delivered the degree), current position (postdoctoral fellows, PhD and MA students should indicate their status and affiliation), recent publications (up to 5 or 6 related to the theme of the conference), and a paper abstract (700 to 1000 characters including spaces). The proposals received by the 29th of October will be eligible to funding for travel.

Laurier Turgeon
Canada Research Chair in Intangible Cultural Heritage
Institute for Cultural Heritage
Laval University, Quebec City, Canada, G1V 0A6 ​

Thursday, June 19, 2014

Call for Papers: Trans-Atlantic Dialogues on Cultural Heritage, Liverpool


Announcing the International Conference: Trans-Atlantic Dialogues on Cultural Heritage: Heritage, Tourism and Traditions, 13-16 July 2015, Liverpool, UK
Trans-Atlantic dialogues on cultural heritage began as early as the voyages of Leif Ericson and Christopher Columbus and continue through the present day. Each side of the Atlantic offers its own geographical and historical specificities expressed and projected through material and immaterial heritage. However, in geopolitical terms and through everyday mobilities, people, objects and ideas flow backward and forward across the ocean, each shaping the heritage of the other, for better or worse, and each shaping the meanings and values that heritage conveys. Where, and in what ways are these trans-Atlantic heritages connected? Where, and in what ways are they not? What can we learn by reflecting on how the different societies and cultures on each side of the Atlantic Ocean produce, consume, mediate, filter, absorb, resist, and experience the heritage of the other?

This conference is brought to you by the Ironbridge International Institute for Cultural Heritage (IIICH), University of Birmingham and the Collaborative for Cultural Heritage Management and Policy (CHAMP), University of Illinois and offers a venue for exploring three critical interactions in this trans-Atlantic dialogue: heritage, tourism and traditions. North America and Europe fashioned two dominant cultural tropes from their powerful and influential intellectual traditions, which have been enacted in Central/South America and Africa, everywhere implicating indigenous cultures. These tropes are contested and linked through historical engagement and contemporary everyday connections. We ask: How do heritages travel? How is trans-Atlantic tourism shaped by heritage? To what extent have traditions crossed and re-crossed the Atlantic? How have heritage and tourism economies emerged based upon flows of peoples and popular imaginaries?

The goal of the conference is to be simultaneously open-ended and provocative. We welcome papers from academics across a wide range of disciplines including anthropology, archaeology, art history, architecture, business, communication, ethnology, heritage studies, history, geography, landscape architecture, literary studies, media studies, museum studies, popular culture, postcolonial studies, sociology, tourism, urban studies, etc. Topics of interest to the conference include, but are not limited to, the following:
  • The heritage of trans-Atlantic encounters
  • Travelling intangible heritages
  • Heritage flows of popular culture
  • Re-defining heritage beyond the postcolonial
  • The heritage of Atlantic crossings
  • World Heritage of the Atlantic periphery
  • Rooting and routing heritage
  • Community and Nation on display
  • Visualizing the Trans-Atlantic world
Abstracts of 300 words with full contact details should be sent as soon as possible but no later than 15th December 2014 to

Thursday, April 16, 2009

Call for papers - Canadian Museums Association Conference 2010

Call for Papers
Canadian Museums Association National Conference 2010
Evolving Boundaries: Linking People, Place & Meaning
St. John’s, Newfoundland and Labrador
May 10-15, 2010


As we grapple with the impact of the global economic crisis, it is even more critical that museums deliver meaningful visitor experiences.

Traditionally museums focused on collecting and presenting the “tangible”, whether these were works of art, natural history specimens or cultural artifacts. Increasingly, we have included an understanding of the “intangibles” of traditional knowledge and cultural practice as essential to a full spectrum of content and experience. This conference will feature exemplary work in human and natural history museums and art galleries that fulfill our traditional mandates.

There will also be a community museums stream of sessions. As a highlight of the 2010 conference, we will be placing a special focus on Intangible Cultural Heritage (ICH), providing a forum for discussion of practical approaches by which museums can creatively link people and place to collections in order to inspire meaning.

Key themes/topics:
The conference will be built around the following themes:

1) ICH: Incorporating ICH into the core museum functions — collecting, research, programming & exhibition. Exemplary projects and their impact on museum audiences.

2) Best practices: New technologies, new partners, new approaches to programming, new organizational models. Innovations that improve the effectiveness of our work.

3) Sustainability: New strategies to help museums to do more with less. New paradigms for securing new resources.

Session formats:

The 2010 Conference Committee will accept proposals for the following session formats:
• Panel: Consists of three or four speakers, who present for up to 20 minutes each, relative to the session theme;
facilitated by a moderator.
• Case study: Consists of one or two persons, usually from the same organization, and focuses on one actual situation,
program or project, the decision-making process involved, implementation, outcome(s), and lessons learned.
• Or something completely different? The 2010 welcomes original session formats! Please include a brief explanation
of your proposed format with your session proposal.
• Cross-disciplinary panels or presentations are particularly welcome.
Selection criteria:

Priority will be given to proposals that are relevant to the key themes (above), are clear and well developed, and confirm a commitment from the presenters to delivery of a high-quality, thought-provoking session.

Proposals will not be accepted if they appear to be a show and tell session or product/service endorsements.

Please note: The CMA is unable to provide speakers with travel funds, honorariums or allowances.

Submit your proposal, NO LATER than JUNE 1, 2009
Email: sramsden@museums.ca
Fax: 416-236-5557

Questions? Sue Ann Ramsden, 416-231-1251

Download the Call for Papers application form in pdf at:
http://www.heritagefoundation.ca/media/2708/callforpaperscma2010.pdf