Salvage Fisherman's Museum - the mystery of the missing chimney

 

We've been doing some research in Salvage, helping out the volunteers at the Fisherman's Museum (the old Lane/Heffern House) to better understand the history of their structure.

Pictured above is the remains of what was once a large stone chimney/fireplace. What is visible is the back wall of the chimney, and if you look at the top of the photo, you can see hole where the fireplace used to be. There is a very heavy wooden beam that runs from wall to wall in front of the opening, which indicates how far out the fireplace once went. 

 

Above is a view of the back small bedroom, where you can see the outline of the original chimney, intruding into the floorspace of the room. It tapers upwards toward the ceiling.

Last week, we were able to explore the building more fully, and I was able to get up into the attic of the building. There, one can see the remains of the top of the original chimney:

In the photo above, you can see the remaining back wall of the chimney. A blower vent had been installed at one point, and is no longer connected.

We were also able to crawl under the house, where the remains of the original chimney foundation are still visible. These are large stones, measuring about 1.5m from the back wall of the house, and about 2m wide. 

Looking at the remains of the chimney help us better understand the history of the Lane/Heffern House. We suspect the building was rebuilt/expanded in the 1880s or early 1890s, and the chimney may have been removed at that point. The height of the chimney suggests that the roofline was much lower at one point, possibly with the house being only 1.5 storeys high. Other physical evidence in the building suggests it also occupied a small footprint, and would have been a roughly square building, likely with one room centred around the large gable-end walk-in or "inglenook" chimney.  Originally, it may have looked something like the image below, taken from D.C. Beard's "Shelters, Shacks, & Shanties" published in 1914:

There are still a lot of questions to answer about the history of the house, including when and how it was originally constructed, and when it was modified and why. Stay tuned! If you have any information about the building, or memories of it before it was a turned into a museum in the 1960s, email research@heritagenl.ca or comment below. 

Living Heritage Podcast Ep196 - Roger Tinney, furniture maker

 

Roger Tinney is a furniture maker based in Vancouver Island, British Columbia. Originally from Prince Edward Island, Roger inherited some of his skill as a carpenter from his father and grandfather, and then expanded his knowledge of furniture-making after moving to British Columbia. We chat about family origins, working with wood, finishes, and the importance of whimsey!

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Living Heritage is about people who are engaged in the heritage and culture sector, from museum
professionals and archivists, to tradition bearers and craftspeople - all those who keep history alive at the
community level. The show is a partnership between HeritageNL and CHMR Radio.
Theme music is Rythme Gitan by Latché Swing.

Report on the 2020 Salvage People, Places, and Culture Workshop

Monday, 2 November 2020, the Town of Salvage hosted a “People, Places & Culture “Workshop, facilitated by Heritage NL. The event was attended by approximately 15-20 individuals from the community on the first night and 20-25 the following day, Tuesday, 3 November 2020, including some partner and governmental organizations.  

The workshop comprised two parts: I) a cultural mapping activity that considered the community’s tangible and intangible cultural assets and; II) a session to explore opportunities for protecting, safeguarding and developing these assets that included representation from stakeholders.  The latter activity involved the ranking of themes and clusters of cultural assets that emerged from the mapping session. 

This report is a summary of what was discussed, and includes a number of recommendations, resources, and links from HeritageNL.

You can view the full report here. 

Visiting the Burgess Property, Whiteway, Trinity Bay.

Burgess Fishing Stage

The Burgess Property is a collection of 6 buildings in Whiteway, NL, dating to the late 19th and early 20th centuries, and was designated a Registered Heritage Structure by the Heritage Foundation of Newfoundland and Labrador in 2020. Built and operated by an unbroken line of Burgess family members over six generations, the cluster of closely spaced buildings are part of a single family enterprise. Their continuity helps to imbue a sense of how the property was inhabited and operated for more than 100 years, and the diversity of buildings speaks to the variety of functions and income sources of outport family premises.

We visited the site yesterday, and are working with the Burgess family to document and better understand the history of the premises. Stay tuned for more info and photos on this group of structures in the weeks to come!

Burgess Dwelling House

Burgess Stable/Store (left) and sawmill (right)

Researcher looking for stories and memories of Nish Rumboldt, Newfoundland’s Pied Piper of song.

 Music has always been central to everyday life in Newfoundland and Labrador. From work songs to hymns, fiddle tunes to symphonies—music expression plays an important part in the cultural life of this province. Choral director Ignatius Rumboldt proved that folk and classical singing alike could be enjoyable and accessible for people across the province. Through his role as a choirmaster and music educator in the 1930s-1970s, he was essential to the creation of a choral music community that flourished in communities throughout Newfoundland and Labrador.

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By Ellen Power

Ignatius “Nish” Rumboldt was born in 1916, one of seven children in a fishing family from Curling. Upon his mother’s death in 1921, the family split up and six year old Nish was sent with his brothers to the Mount Cashel Orphanage in St. John’s. Despite the upheaval, Nish thrived in the arts and music classes offered at the orphanage. His talent caught the eye of Basilica organist and local businessman Charles Hutton. Hutton mentored young Nish and helped him get advanced lessons in voice and music theory. Nish was only 15 years old when Hutton offered him the position of assistant organist at the Basilica in 1931. Hutton retired 5 years later and Nish took over his position as the chief organist and choirmaster. He held the post for the next 16 years. During this time, Nish organized choral and orchestral concerts for St. John’s audiences, to great acclaim. He also taught choirs at Catholic schools across the city and was an early supporter of the Kiwanis Music Festival competition.

Image: Nish Rumboldt (front row, far left) with the other MUN Extension Faculty, 1961. Photo courtesy of MUN Digital Archives Initiative

Nish Rumboldt is probably best known for his work in establishing choirs across the province in the 1950s and 1960s.  He was one of the first musical directors to add Newfoundland folk songs to the choral repertoire, first with the CJON Glee Club and then with MUN Extension choirs across Newfoundland and Labrador. His spirited interpretations of traditional Newfoundland songs were popular with choristers and audiences alike. Nish hoped hearing the music would inspire people to learn more about the province’s folk music traditions. “I used every opportunity I could,” he later recalled. “[I]f we were asked to sing at a government banquet and we had distinguished visitors, we’d sing a little of every type of music, but I’d be sure to finish up with Newfoundland music.”

Nish believed anyone could join a choir, as long as they were eager to learn. “I met a few people who couldn’t sing at the time but I never discouraged them,” he once said. “One chap came, give him a note and he’d sing anything but. And he became one of my soloists later.” One former soloist in a choir of Nish’s remembered his kindness to choir members. “He was so gentle with his singers,” she recalled.  “Even if they couldn't sing that well, he never put anybody down, he kind of lifted you up”.

 

Image: Nish Rumboldt conducts the MUN Glee Club in concert, c. 1960s-1970s. Photo courtesy of MUN Digital Archives Initiative

Nish Rumboldt was admired across the province for what one writer described as "the ability to transfer his verve and love of life to a choir and on to an audience." His work with choirs eventually resulted in his 1975 recognition as a Member of the Order of Canada. Nish retired in 1980, the same year he was awarded a honourary doctorate from Memorial University in recognition of his tireless work to promote choral music in the province. This work lives on, despite his death in 1994. The Department of Music, which owes its creation in part to Nish’s advocacy, now carries a scholarship in his name. And the active choral community in this province today certainly owes a debt to the lifelong efforts of Nish Rumboldt.

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Were you in one of Nish Rumboldt’s choirs, or did you work with him in the choral community? Share your stories, memories, and photos with us at commemorations@heritagenl.ca

Sources

Dunsmore, Douglas. "Nish Rumboldt: Newfoundland’s beloved Pied Piper of song." In Sharing The Voices: The Phenomenon of Singing International Symposium I, St. John’s, NL, June 1997, 107-114. St. John’s, NL:  Memorial University.

Morgan, Bernice. “Ignatius Rumboldt—Mr. Music.” MUN Gazette, August 28, 1978.

Pathways. "Ignatius Rumboldt." Produced by MUN Extension Services. Aired 1983, on MUN Education Television Centre.  https://collections.mun.ca/digital/collection/extension/id/859/rec/1

The Canadian Encyclopedia, s.v. "Ignatius Rumboldt," by Paul Woodford and Betty Nygaard King, accessed Nov. 6, 2020, https://thecanadianencyclopedia.ca/en/article/ignatius-rumboldt-emc

Woodford, Paul G. “Nish” Rumboldt: the life and contributions of Ignatius Rumboldt to music in Newfoundland. St. John’s, NL: Creative Publishers, 1984.

Help us out with this quick cemetery training survey!

Newfoundland and Labrador: Help us out with this quick 3-second survey - What part of cemetery conservation do you need to know more about? 

https://strawpoll.com/bybdzy5ka 

New Research into the mystery cannon of Harbour Main.

At a recent meeting of the Town of Harbour Main-Chapel’s Cove-Lakeview Heritage Committee, it was decided to investigate a local cannon on top of a hill whose origins, despite being a local landmark, are unclear.
 

Photo: Catherine Ann Kelly of Harbour Main (left), and
Maryssa Barras from HeritageNL (right) inspect the cannon, 25 November 2020

In order to find the story behind the cannon, we first need to figure out what type of cannon it is and when it dates to. By measuring key parts of the cannon and taking photos of visible features on the cannon we were able to compare our cannon with others to determine its calibre and likely dates of use.

There are a few key features that helped guide us in identifying the cannon. First, the cannon measures approximately 230cm, or 7½ft, long and the bore (the tube for the cannonball) measures 11cm, or 4.3in, in diameter. Based on these dimensions we can determine that this cannon is likely a 9lb gun - with 9lb referring to the caliber of the cannonballs it would have shot. 

 

Photo: A close-up image of a broken trunnion on the cannon,
as well as the chase astragal, the iron band to the right of the photo.

In terms of shape, the cannon has a tulip-shaped muzzle and a spherical button at its breech (back) end. Spaced across the cannon as well are raised bumps, called reinforce rings. Notably, this cannon has an extra ring in its center called a chase astragal which largely fell out of use after circa 1810. Based on these, and other, details, we believe the Harbour Main cannon is most likely an  Armstrong-Frederick pattern cannon, which was the primary British model produced between 1760/4 and 1792. This means the cannon was likely produced sometime in that time period, and that its arrival in Harbour Main must date to after 1760-1764.

Photo: Diagram of Armstrong Pattern 9 lb gun of 7 1/2 feet,
courtesy of Dr. A.R. Collins. 

Heritage NL is following up with these findings with the Town of Harbour Main-Chapel’s Cove-Lakeview Heritage Committee. We'll post more info as the story unfolds. The cannon is an archaeological object as defined under the Historic Resources Act, and so the Province has title to it as per section 11 of the Act. 

UPDATE: 1 December 2020

Our preliminary report on the Harbour Main cannon site is now up online! We've tentatively dated the cannon to the early 1760s. Read more at:

https://docs.google.com/document/d/1yux28qVivjd37RlyUgM-O9DmTH2y3AaZHn31dmSso_Q/edit?usp=sharing

 

Living Heritage Podcast Ep195 Making Spruce Root Baskets

The weaving of traditional baskets using spruce roots is an Indigenous artform with a long and complex history. Renowned Mik'maq basket maker Anthony White, together with his son Danny, have been credited with reviving the tradition of Mi'kmaq spruce root basket weaving in Newfoundland. We look back at a 1981 recording of the Whites making baskets, and then features interviews with educator Eileen Murphy about the legacy of Mr. White, and with Jane Daly and her memories of her step-father, the west-coast basket maker Edward Young. 

Photo: A  round spruce root basket with diamond wrapped ears made by Anthony White of Bay St. George. Constructed c1960. Photo by Nicole Penney, 2012. 

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Living Heritage is about people who are engaged in the heritage and culture sector, from museum
professionals and archivists, to tradition bearers and craftspeople - all those who keep history alive at the
community level. The show is a partnership between HeritageNL and CHMR Radio.
Theme music is Rythme Gitan by Latché Swing.

Do you have family roots in Salvage, Newfoundland? Help us map out traditional family neighbourhoods!

Maryssa in the Heritage NL ICH office has been working on some of the map information that came out of our recent Salvage workshop, and based on what we collected, she's drawn up the attached map, indicating which neighbourhoods families lived in, during the pre-Confederation period. 

This is a very rough draft of the map. What are your thoughts? Are there names missing, misspelled or in the wrong place? Are the neighbourhood breakdowns accurate, or should they be changed? 

Let us know! We'll take all your suggestions and make a more accurate version 2! Comment here, or email research@heritagenl.ca