Tuesday, October 22, 2019

Preserving in the Past - The use of red ochre and cutch as a preservative


from: http://collections.mun.ca/cdm/singleitem/collection/elrcdne/id/19106/rec/1


European settlers in Newfoundland and Labrador used red ochre as a combination of preservative and colour pigment. One use was for “barking” or “bark tanning” nets, sails, and fishing gear to preserve it. The exact mixture of materials used to tan sails varied over time and from community to community, and it could contain some magical combination of ingredients including red ochre, cod oil, urine, seawater, beeswax, and/or birchbark extracts. The combination of ochre and oil adds to the weight of the canvas, but, “sails dressed by this method are durable, supple, and waterproof so that they do not become stiff and heavy in wet weather” (Worth para. 8).

As another option, sailworkers could use what was known as “cutch” - a type of tree bark extract which was imported to Newfoundland and Labrador from the Victorian period onward. McAlpine's Newfoundland Directory for 1894 to 1897 (151) references St. John’s merchant John Steer as a dealer in “Pitch, Tar Oakum, Resin Cutch, Lime, and Ochre.” Merchant Colin Campbell of St. John’s advertised in the April edition of the Evening Telegram in 1908 that he was wholesaling “Fisher-Lad” brand cutch, available in both blocks and slabs, “pure and unadulterated” which had recently arrived via the steamship Carthaginian.

Where commercial cutch was not available, fishermen made do with what they had, and that usually meant oil and ochre. As Francis Reardon told me,
The other thing that ochre was also used for, it was mixed with seal’s oil and used to put on the sails. It gave the sails on the schooners this really bright red colouring as opposed to now of course the white sails. But years ago when they were using the canvas sails they were red. Red ochre was a preservative, and also seal’s oil gave the sail a bit of a glaze so there was less friction in the wind, and it kept the sail from holding water. The water beaded away from it. 




Doctor and a naturalist Charles Wendell Townsend spent May-June 1909 sailing along the Labrador coast. In his book A Labrador Spring he notes several examples of these ochre-stained sails. Upon visiting the community of Esquimaux Point (likely Havre-Saint-Pierre along the Lower North Shore of Quebec) he noted the local two-masted schooners, describing them as picturesque, “especially when the sails were dyed a light pink or terra cotta red to preserve them from the weather” (Townsend 72-73). Further along the coast, he remarks about the boat he sailed upon:
It was schooner-rigged with two masts, and, although the owners took great pride in the white sails, and said the boat could therefore sail the faster, I myself regretted that the sails were not stained a picturesque red, or pink, or brown, as were those of many other barges in this region. Some of these stains were wonderful bits of colour, shading like a water-colour wash from dark mahogany in one part of the sail, to a light pinkish hue in another part. Others were more uniform, but the effect was always pleasing and suggestive of the colouring of the sails in far less rugged and more smiling waters (Townsend 105). 
If you have a memory of cutch or red ochre being used as a preservative of some kind, send me an email: dale@heritagenl.ca


Works cited

McAlpine's Newfoundland directory, 1894 to 1897. Saint John (N.B.): McAlpine Publishing Co., 1894.

Townsend, Charles Wendell. A Labrador Spring. Boston: Dana Estes & Co, 1910.

Worth, Claude. “DRESSING SAILS from Yacht Cruising by Claude Worth submitted by Jamie Orr.” http://www.duckworksmagazine.com/03/r/vintage/dressing/sails.htm (web accessed 5 March 2019).



This article is an excerpt from:

Jarvis, Dale Gilbert; Barrett, Terra M. The Historical Use of Ochre Pigments in Newfoundland and Labrador. Heritage NL Fieldnotes Series, 003, March 2019. St. John's, NL: Heritage NL."

Friday, October 18, 2019

Living Heritage Podcast Ep157 Pouch Cove SUF Memories



On Thursday, July 18th, 2019,  the Pouch Cove Heritage Society and Heritage NL co-hosted a storytelling and memory sharing session at the Anglican Church Hall, Pouch Cove. The topic was the old Society of United Fishermen (SUF) hall, which the Pouch Cove Heritage Society is in the early process of restoring. Folklorist Dale Jarvis moderated a two part discussion on the history of the SUF, the memories of former members, stories about dances, parades, and funerals, and the role the SUF played in the community. This podcast shares some of those stories, to give you a taste of what was shared that night.




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The Living Heritage Podcast is about people who are engaged in the heritage and culture sector, from museum professionals and archivists, to tradition bearers and craftspeople - all those who keep history alive at the community level. The show is a partnership between HeritageNL and CHMR Radio. Theme music is Rythme Gitan by Latché Swing.

Thursday, October 17, 2019

Heritage interpretation in Atlantic Canada - Breakout session report



Back in September, a contingent of Newfoundland folklorists and cultural workers took part in the "Heritage interpretation in Atlantic Canada: Dialogues between theory and practice"intangible cultural heritage conference, at Cape Breton University in Sydney, NS. We did not get tattoos.

On the last day of the conference, there was a discussion on how best we might be able to promote Intangible Cultural Heritage (ICH) in Atlantic Canada.

Two sessions ran simultaneously: one on Academic Research moderated by Chris McDonald, who asked the group to consider the question “What should be the future priorities for researchers in ICH?”; and one on Heritage and the Public Sector moderated by Ronald Labelle who asked the group to consider the question “How can museums and heritage centres contribute to the advancement of ICH?” At the end of the sessions, Dale Jarvis moderated a joint presentation of results, and compiled a report and list of future actions.

That report is available here:
https://docs.google.com/document/d/18sU3qZS3uYcd0OU6Sm3749aaZdDDJxWTrxG2kjbnL_g/edit?usp=sharing



Wednesday, October 16, 2019

Get back to work, Jarvis!




Well, I'm officially back in the office. I had a whirlwind couple weeks in Jeonju, South Korea, where Heritage NL won the 2019 Jeonju International Award for safeguarding NL's living heritage. It was a blast! I'm sure I'll post more on that anon, but for now, I'm making a list of all the stuff I need to catch up on (Living Heritage podcasts, case studies, our Craft at Risk survey, etc). If you want a quick peek at what happened at the Awards, you can look at the program booklet here:


Monday, September 23, 2019

Heritage NL receives prestigious international award for its work on living heritage



Heritage NL receives prestigious international award for its work on living heritage

Heritage NL’s Intangible Cultural Heritage office has been announced as a winner of the 2019 Jeonju International Awards for Promoting Intangible Cultural Heritage (ICH).

The award is funded by the City of Jeonju, Republic of Korea, to encourage safeguarding practices of Intangible Cultural Heritage in the global community. Heritage NL’s Intangible Cultural Heritage office was one of forty-eight applicants from 36 different countries to apply for the awards. Only three applicants (individuals and organizations) were selected as finalists.

“This prestigious international award recognizes the major commitment by the Province, communities, tradition bearers and our team at Heritage NL in safeguarding and building capacity to celebrate the rich and diverse cultural traditions which are the very heart of this great place,” says Dave Lough, Heritage NL board chair.

The prize, valued at $10,000 USD, will be presented at a special ceremony September 27th in Jeonju. Heritage NL will be represented by folklorist Dale Jarvis, who has been the foundation’s ICH Development Officer since 2008. Along with Jarvis, the other recipients will be Ananya Bhattacharya (Secretary, Contact Base, India), and Ahmed Skounti (Professor, National Institute of Archaeology and Heritage Sciences, Morocco). While there, Jarvis will also present on NL heritage programs at the 2019 World Forum for Intangible Cultural Heritage, at the National Intangible Heritage Center (NIHC) in Jeonju.

The mission of the Heritage NL’s Intangible Cultural Heritage Office is to safeguard and sustain the Intangible Cultural Heritage of Newfoundland and Labrador for present and future generations everywhere, as a vital part of the identities of Newfoundlanders and Labradorians, and as a valuable collection of unique knowledge and customs. This is achieved through initiatives that celebrate, record, disseminate, and promote our living heritage and help to build bridges between diverse cultural groups within and outside Newfoundland and Labrador.


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For more information on the 2019 Jeonju International Awards for Promoting Intangible Cultural Heritage see:  http://www.cics.center/jiapich_2019/



Wednesday, September 18, 2019

Historic Commemorations for Red Indian Lake and Dr. Anna Templeton



For Immediate Release
St. John’s, NL

Heritage NL - in partnership with The Rooms and NL Credit Union - will be announcing this year’s designations to the Provincial Historic Commemorations Program (PHCP) on Wednesday, September 18th, at 7:00 pm at The Rooms Theatre, 9 Bonaventure Ave., St. John’s, NL. The Hon. Bernard Davis, Minister of Tourism, Culture, Industry and Innovation - along with representatives of the heritage, craft and Indigenous community - will join Heritage NL at this year’s event.

The PHCP (administered by Heritage NL) commemorates provincially significant aspects of our history and culture. It is unique in that it also recognizes intangible aspects of our culture and heritage – the customs, cultural practices, traditional skills and knowledge that define our province and our people.

Since the Program's inception in 2010, 35 designations have been made, including the two designations being recognized on September 18th: Red Indian Lake as a Unique Place and Dr. Anna Templeton as an Exceptional Person from the Past.

Red Indian Lake has a place in the collective imagination of this province. It has been a place of refuge and a place of promise. The Beothuk spent the last years of their existence on the shores of Red Indian Lake. A century later, as the railway pushed into the interior of the island, Lewis Miller started a logging operation here. The town named after him would be settled by fishermen who traded skiffs and fishing premises for saws and logging camps. Two decades later a mine was established on the northern shore of Red Indian Lake and Buchans was quickly developed, along with a new “company town” way of life. The railway town of Buchans Junction developed as a branch line from the main railroad was constructed to facilitate the transportation of equipment and minerals to and from Buchans mine. At first glance, these four communities have little in common. But they all have a story to tell about how a hinterland became home.   

Anna Templeton is perhaps best known today for a craft centre named in her honour in downtown St. John’s. But our province's modern crafting scene would not exist as it does today without the woman herself. She was a pioneer of the province’s cottage craft industry. Through her work with the Jubilee Guilds and the Department of Education, Templeton made craftwork accessible and profitable for rural women. She empowered women to learn new skills, gain personal confidence and earn their own income. Anna defied societal expectations of women through her fieldwork and her leadership as she championed the wider recognition of traditional crafts and craftspeople. She contributed to the creation of the Craft Council of Newfoundland and Labrador and to the textile arts diploma at the College of the North Atlantic. The province’s vibrant craft industry owes its modern prominence in no small part to the foundations laid down by Anna Templeton.

For more information on the Commemorations program visit http://commemorations.ca/about/.

Heritage NL is a provincial crown agency with a mandate to stimulate an understanding of and an appreciation for the architectural heritage and intangible cultural heritage of the province. For more information visit www.heritagenl.ca.

                                                                         
For Further Information Contact:

Andrea O’Brien
andrea@heritagenl.ca
1-888-739-1892 ext 4

Tuesday, September 10, 2019

Newfoundland word of the day: Suent - possessing a smooth, pleasing curve

Jerome Canning at work, by Tobias Romaniuk

"Suent" is one of my favourite Newfoundland words, and one that I first heard used by master boatbuilder Jerome Canning. In an article in Downhome Magazine by Tobias Romaniuk, he is quoted as follows:

“And all the time you’re looking at it, because you’ve got to trust your eye [that] she was looking good,” Jerome says. “You draw it on paper; you make a model. The boat had to look good, that nothing sort of looked clumsy, that it had a nice, suent look.”

Folklorist David Taylor includes this definition in his MA thesis on boatbuilding in Winterton:

SUENT: a term used in Winterton to describe any surface which has the proper amount of smooth, unbroken curvature. For example, a hull consisting of smooth, "fair" curves would be called a "suent" hull, while a hull exhibiting many humps and hollows, or other signs of unevenness would not. 

And the Wooden Boat Museum of NL gives this:

Suent: A gradual and smooth curve over a surface area or length of plank or board.from 

Have you heard this word used? If so, comment below, or send me a note! dale@heritagenl.ca

Friday, September 6, 2019

Have you taken the Cod Liver Oil Challenge? You can, this Saturday!



This Saturday, as part of the free-to-the-public event Doors Open, the James J. O’Mara Pharmacy Museum (located in one of our Registered Heritage Structures) dares you to take their Cod Liver Oil Challenge!



"My favourite part about doing the challenge (besides watching the reactions) is hearing about people’s experiences with having to take cod liver oil," says Deanna Walter, Museum Manager. "Whether it was lining up for a spoonful every day at school (apparently they used the same spoon for everyone) or parents and grandparents having a barrel of it on hand for their family. People have very strong memories and opinions about the stuff."

Take the challenge, and get a certificate to prove you downed your dose!

Saturday, September 7th, 10am-4pm



For more on Cod Liver Oil, read Larry Dohey's Archival Moments blog post here.


Thursday, September 5, 2019

Preserves Making Workshop, Brigus, Sept 14th

Landfall Cottage in Brigus is running a preserves workshop! Space is limited if you want to participate!  Info below: